Tracing the Threads of Tradition Literary Ethnography of Sthanikas of South Canara

Abstract

This research employs a literary ethnographic technique to examine the historical periods of the pre-colonial, colonial, and post-colonial eras in relation to the Sthanikas. It uncovers the complex web of traditions and how society has changed over time. The beginnings and early stages of the Sthanika community in the pre-colonial setting may be traced via works such as "Sampige Chavadiya Koodlumane." This investigation offers a comprehensive understanding of a community's social structure, economic activity, and cultural traditions, emphasising their long-standing presence in the area. The colonial era represents a time of substantial turmoil and adjustment for the Sthanikas. The thesis examines the community's reaction to British colonial authority by analysing Gopi Chanda Rao's autobiography "Chithrapatalada Chithramalike." It specifically investigates how the community's identity and livelihoods changed as they adapted to new power dynamics and sociopolitical difficulties. The post-colonial era evaluates the ability of the Sthanikas to withstand and adjust to the processes of urbanisation and modernisation. This section references Kathyayini Kunjibettu's book "Thogalu Gombe" and short tales by M. Vyasa to demonstrate how the community's identity is changing with time and the intricate relationship between tradition and change. This thesis sheds light on the lived experiences of Sthanikas and their noteworthy contributions to the cultural environment of South Canara by intertwining these historical tales. This research illuminates not only the long-lasting customs of the community but also emphasises their capacity to withstand and adapt to swiftly changing environments. This study endeavours to enhance our understanding of the region's rich cultural legacy and shed light on the significance of the Sthanika community's involvement in it.