The impact of doodling and scribbling in artistic exploration in India an analytical study

Abstract

This study specially traces the development of the Doodling and Scribbling newlinefound in the Post-independence Indian Art. There are issues concerning this subject newlinewhich affect the contemporary field and those matters are related to development newlineaspects of various Post-independence art movements. It is very complex to understand newlinethe development of Doodling and Scribbling in Indian art; this is probably because the newlineidea of Doodling and Scribbling revolves around the theory that everyone is a doodler or newlinehas the capability of creativity. Practice of art changes and transforms every day, just as newlinethe world around us. Sometimes art critics hesitate to call it art because art regulatory newlinebodies like, Art Gallery, Museum and others organizations didn t frequently exhibit newlineDoodling and Scribbling art like other traditional Art forms, for example painting, newlinesculpture and others. On the other hand no community of artists registers a strong newlinepresence in that area. The differences between types of art can be explained by a variety newlineof disciplines, approaches, and perception angles. Neither the Greeks nor the Romans, newlinethose role models of the Renaissance, underwent the same process. Certainly not the newlineother, nor were their intentions the same. Was the artist from Altamira educated at an newlineart school? Learn Anatomy? Go around with a sketchbook? In spite of this, his newlinedrawings are no less dynamic or true. Nor did our sculptors and painters tread the same newlinepath. In each part of the world, artists respond to what they see or feel in their own newlineways. And make their own kind of statements. Numerous artists have been doing that newlineon his/her own familiar scene. newline