1. Shodhganga@INFLIBNET
  2. Indian Institute of Technology Guwahati
  3. DEPARTMENT OF DESIGN
Please use this identifier to cite or link to this item: http://hdl.handle.net/10603/483703
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DC FieldValueLanguage
dc.coverage.spatialDesign
dc.date.accessioned2023-05-17T04:16:16Z-
dc.date.available2023-05-17T04:16:16Z-
dc.identifier.urihttp://hdl.handle.net/10603/483703-
dc.description.abstractIndian folk artistry is uniquely recognized all over the world not only for rich aesthetics but also as indicators of age old habitual belief They comprise of tacit knowledge that is protected by passing on through generations Apart from the act of customary decorations on ephemeral foundations Indian painters storytellers cum singers perennially depict life and death victory and defeat good and evil in the regional folk paintings The roving minstrels for over two thousand years have diss
dc.format.extentNot Available
dc.languageEnglish
dc.relationNot Available
dc.rightsself
dc.titleAesthetic continuum of contemporary folk paintings of india case study of five traditional practices
dc.title.alternativeNot available
dc.creator.researcherThakurta Roy, Shatarupa
dc.subject.keywordArt
dc.subject.keywordArts and Humanities
dc.subject.keywordArts and Recreation
dc.description.noteNot Available
dc.contributor.guideDas, Amarendra Kumar
dc.publisher.placeGuwahati
dc.publisher.universityIndian Institute of Technology Guwahati
dc.publisher.institutionDEPARTMENT OF DESIGN
dc.date.registered2009
dc.date.completed2013
dc.date.awarded2013
dc.format.dimensionsNot Available
dc.format.accompanyingmaterialNone
dc.source.universityUniversity
dc.type.degreePh.D.
Appears in Departments:DEPARTMENT OF DESIGN

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