Please use this identifier to cite or link to this item: http://hdl.handle.net/10603/471303
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DC FieldValueLanguage
dc.coverage.spatialMusic
dc.date.accessioned2023-03-21T07:03:13Z-
dc.date.available2023-03-21T07:03:13Z-
dc.identifier.urihttp://hdl.handle.net/10603/471303-
dc.description.abstractDance has been an integral part of human civilization since the beginning. The antiquity of dance itself is proved by the old texts of India. Every gharana has a series of gurus and great artists, who have contributed significantly to the development of Kathak of their gharana. For the last few years, dance, especially classical dance, seems to be feminine. Men have to go through hard efforts to make their impact in this art. Whereas in this field, especially in the field of Kathak dance, many senior male artists like Padma Vibhushan Pandit Birju Maharaj, Natraj Gopi Krishna,Shri Rajendra Gangani, Shri Uday Shankar etc. have made unforgettable contributions and have taken it forward at the global level. Under all the chapters of the present dissertation, an attempt has been made to explain how the continuous efforts of great male artists have decorated, embellished and brought this art to the heights of success. Studying the life time of these glorious gurus, it is proved that the first real effort to create and propagate dance art, the heritage of Indian culture, was made by these great personalities. His unique statue established a dominance of Kathak dance in the society. All of them were talented teachers as well as amazing dancers and all of them have left their mark on Kathak with the uniqueness of their dance. Due to the untiring efforts of these artists, Kathak dance has got the most important place on the world stage. Further, the male artists of 19th and 20th century have enhanced the beauty of Kathak dance style on the stage on the basis of their art skills and talent. Due to which the popularity of this dance style has increased even more among the general public. They have trained themselves under harsh conditions and established themselves not only at the dance performance level but also as dance teachers, doctorates, university heads etc. This important contribution of his in the field of Kathak dance art will always prove to be inspirational for future generations.
dc.format.extentv, 219p.
dc.languageEnglish
dc.relation-
dc.rightsuniversity
dc.titleThumri gayan vidha ka chitarpat sangeet mein paryog vivechanatamak adhyayan
dc.title.alternative
dc.creator.researcherSukhija, Kavita
dc.subject.keywordGharana
dc.subject.keywordKathak Nritya
dc.subject.keywordManch Kalakaar
dc.subject.keywordNritya
dc.subject.keywordNritya Shikshak, Nirdeshask
dc.subject.keywordPurush Kalakaar
dc.description.noteBibliography 213-219p. Annexure 210-213p.
dc.contributor.guideUppal, Savita
dc.publisher.placeChandigarh
dc.publisher.universityPanjab University
dc.publisher.institutionDepartment of Music
dc.date.registered2017
dc.date.completed2022
dc.date.awarded2023
dc.format.dimensions-
dc.format.accompanyingmaterialCD
dc.source.universityUniversity
dc.type.degreePh.D.
Appears in Departments:Department of Music

Files in This Item:
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01_title page.pdfAttached File51 kBAdobe PDFView/Open
02_prelim pages.pdf737.83 kBAdobe PDFView/Open
03_chapter1.pdf124.44 kBAdobe PDFView/Open
04_chapter2.pdf121.39 kBAdobe PDFView/Open
05_chapter3.pdf460.18 kBAdobe PDFView/Open
06_chapter4.pdf229.69 kBAdobe PDFView/Open
07_chapter5.pdf203.58 kBAdobe PDFView/Open
08_chapter6.pdf1.16 MBAdobe PDFView/Open
09_conclusion.pdf39.69 kBAdobe PDFView/Open
10_annexure.pdf168.94 kBAdobe PDFView/Open
80_recommendation.pdf79.7 kBAdobe PDFView/Open


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