Please use this identifier to cite or link to this item: http://hdl.handle.net/10603/420625
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dc.coverage.spatialDesign
dc.date.accessioned2022-11-25T12:25:02Z-
dc.date.available2022-11-25T12:25:02Z-
dc.identifier.urihttp://hdl.handle.net/10603/420625-
dc.description.abstractThe present investigation looks at cinematic forms from Northeast India in order to understand whether this specific geo body has been the locus of the creation of an indigenous cybernetic modelling of the world As the title indicates my position is that the cinematic medium as such was not fully used as a modelling tool the thesis attempts to understand this situation by addressing it from a variety of angles coming from the history and philosophy of cinema from indigenous conceptions of t...
dc.format.extentNot Available
dc.languageEnglish
dc.relationNot Available
dc.rightsself
dc.titleCinema is missing in search of the ontological temperature of being in northeast india
dc.title.alternativeNot available
dc.creator.researcherMadhukaillya, Mriganka
dc.subject.keywordArts and Humanities
dc.subject.keywordLiterature
dc.subject.keywordTheater
dc.description.noteNot Available
dc.contributor.guideBarua, Utpal
dc.publisher.placeGuwahati
dc.publisher.universityIndian Institute of Technology Guwahati
dc.publisher.institutionDEPARTMENT OF DESIGN
dc.date.registered2013
dc.date.completed2020
dc.date.awarded2021
dc.format.dimensionsNot Available
dc.format.accompanyingmaterialNone
dc.source.universityUniversity
dc.type.degreePh.D.
Appears in Departments:DEPARTMENT OF DESIGN

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