Please use this identifier to cite or link to this item: http://hdl.handle.net/10603/344135
Title: Indian Cinema Production of Cultural Hegemony and Gender Subordination
Researcher: Rai, Pooja
Guide(s): Pandey, Ajit Kumar
Keywords: Cinematography and photography
Indiana-Cinema
Photography
Social Sciences
Social Sciences General
Sociology
University: Banaras Hindu University
Completed Date: 2021
Abstract: In recent years Indian cinema has revealed a lot, by not merely being a medium of mere newlineentertainment but experimenting to highlight social and ethical cinema, which has a greater newlineinfluence on the masses. Indian cinema is one of the most important and influential newlineinstruments to tackle complex social challenges through a screenplay. Films have been a newlinecritical means of expressing social knowledge and circumstances since their origin in 1913, newlinewhile also serving as an important way to amuse the masses. It is sometimes quite fascinating newlineto consider whether the films shape culture or vice versa.
Pagination: 
URI: http://hdl.handle.net/10603/344135
Appears in Departments:Department of Sociology

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02_certificate.pdf419.04 kBAdobe PDFView/Open
03_content.pdf225.7 kBAdobe PDFView/Open
04_abstract.pdf993.71 kBAdobe PDFView/Open
05_acknowledgement.pdf175.93 kBAdobe PDFView/Open
06_preface.pdf198.03 kBAdobe PDFView/Open
07_chapter 1.pdf963.44 kBAdobe PDFView/Open
08_chapter 2.pdf319.88 kBAdobe PDFView/Open
09_chapter 3.pdf788.26 kBAdobe PDFView/Open
10_chapter 4.pdf330.9 kBAdobe PDFView/Open
11_chapter 5.pdf556.3 kBAdobe PDFView/Open
13_bibliography.pdf240.64 kBAdobe PDFView/Open
14_appendix.pdf2.59 MBAdobe PDFView/Open
80_recommendation.pdf1.04 MBAdobe PDFView/Open
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