Please use this identifier to cite or link to this item: http://hdl.handle.net/10603/198124
Title: Narrative Form of Selected Hindi Biopics An Empirical Study of Style and Structure
Researcher: Vyas Neerja
Guide(s): Sushila Shekhawat
Keywords: Hindi Biopics
University: Birla Institute of Technology and Science
Completed Date: 01/08/2017
Abstract: Indian cinema, especially Bollywood, has recently witnessed an unprecedented growth in the production of Biopics, or the biographical films. This resurgence of the biopic is an interesting phenomenon and offers an intriguing area of academic research to many branches of Film Studies like genre studies, narrative research, reception and cognitive studies, etc. Due to the inherent hybridity of genres, biopics were initially classed as historical films and it is only recently, with the seminal work of George F. Custen in 1992; Bio/Pics: How Hollywood Constructed History, that biopic is considered a genre with conventions of its own. Review of the relevant literature suggests that there is a dearth of research on biographical films, specifically in the Indian context. newlineThe present study attempts to examine the narrative style and structure of Hindi biopics with an objective to trace the patterns of similarity in a sample of five films: Aligarh, Mary Kom, Rang Rasiya, Paan Singh Tomar, and Manjhi: The Mountain Man. The study analyses the overall style and structure of the films and also compares how specific narrative components are structured and depicted by different films; both in terms of content as well as style. Cinematographic elements of film style i.e. shot duration, shot scale, shot angle and camera movement; and the transition rate have been explored using techniques of Statistical Style Analysis . Thus, the shot-length data for which a range of variables have been recorded is analysed through descriptive statistics and multiple linear regression. newlineThe results of the analysis show that the biopics are indeed similar to each other in many aspects. Despite some deviations, based on the results it can be concluded that though the films chosen for the study are produced by different filmmakers, the time period in which they are made is different and they are all the stories of different individuals whose lives have a very distinct trajectory but still certain interesting identifiable patterns can be traced in
Pagination: 174p.
URI: http://hdl.handle.net/10603/198124
Appears in Departments:Humanities & Social Sciences

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02_certificate.pdf98.53 kBAdobe PDFView/Open
03_abstract.pdf181.76 kBAdobe PDFView/Open
05_contents.pdf127.57 kBAdobe PDFView/Open
06_list of tables.pdf105.6 kBAdobe PDFView/Open
07_list of figures.pdf87.8 kBAdobe PDFView/Open
08_abbreviations.pdf85.48 kBAdobe PDFView/Open
09_keywords.pdf87.89 kBAdobe PDFView/Open
10_chapter 1.pdf367.77 kBAdobe PDFView/Open
11_chapter 2.pdf486.6 kBAdobe PDFView/Open
12_chapter 3.pdf268.96 kBAdobe PDFView/Open
13_chapter 4.pdf695.38 kBAdobe PDFView/Open
14_chapter 5.pdf1.5 MBAdobe PDFView/Open
15_conclusion.pdf235.39 kBAdobe PDFView/Open
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