Please use this identifier to cite or link to this item: http://hdl.handle.net/10603/40372
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dc.coverage.spatialen_US
dc.date.accessioned2015-05-09T06:06:02Z-
dc.date.available2015-05-09T06:06:02Z-
dc.date.issued2015-05-09-
dc.identifier.urihttp://hdl.handle.net/10603/40372-
dc.description.abstractnewline Filmed or visualized history and written history have different newlinestrengths they are experienced and understood in very different ways The newlinemost complex problem the historian faces in the construction of the past on newlinethe screen emerges from the nature and demands of the visual medium itself newlinethe rhetorical economy and the appropriation of the visual image Both the newlineadvocates and the critics of historical films focus on the same aspect of the newlinemedium the way in which film creates an illusion of immediate experience or newlinea virtual reality of the pasten_US
dc.format.extenten_US
dc.languageEnglishen_US
dc.relationen_US
dc.rightsselfen_US
dc.titleMEDIATIONS OF HISTORY IN VISUAL NARRATIVESen_US
dc.title.alternativeA SEMIOTIC STUDY OF SELECT VISUAL MEDIA GENRESen_US
dc.creator.researcherHarilekshmi V Sen_US
dc.subject.keywordvisualized history virtual reality Moving images contemporary culture portrayal of waren_US
dc.description.noteen_US
dc.contributor.guideDr.N.Prasantha Kumaren_US
dc.publisher.placeKaladyen_US
dc.publisher.universitySree Sankaracharya University of Sanskriten_US
dc.publisher.institutionDepartment of Englishen_US
dc.date.registered27-2-2009en_US
dc.date.completed14-02-2013en_US
dc.date.awarded28-06-2013en_US
dc.format.dimensionsen_US
dc.format.accompanyingmaterialDVDen_US
dc.source.universityUniversityen_US
dc.type.degreePh.D.en_US
Appears in Departments:Department of English



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